More beautiful iron work from a re-enactor

Historical re-enactors and re-creationists don't have the highest reputation either with the general public or among scholars.  since I have spent more than my fair share of time running around in armor, I  have a  different opinion. Part of it goes back to the attitude that "historians don't own history" ( or at least not all of it :-)) but also because I know a number of people who have come out of the reenactment and become masters of some historical-based skill.   Their accomplishments deserve the highest praise.

One such person is Darrell Markewitz, whom I've known for almost 40 years now. In that time has grown from a young eccentric  to a mature eccentric who knows things other people don't know and can do things that other people can't do.  He loves researching historical techniques and has done valuable work in connection with Viking culture in North America, but he is also a contemporary person who makes iron – based art for modern clients. Here, too, he might be seen as a reenactor – reenacting some of the graphic innovations of the 1970s. Whatever you call it, I say it is good, and better than good. The picture above is an example of a commission piece for a patron/client.  Go here to have a closer look and, if you've got the cash and share Darrell's belief in the beauty of iron, give him a call.

What some of my friends have been up to

Iron-making at that real Viking campsite in Newfoundland.

Hammered Out Bits reproduces an article and this picture from the Northern Pen.  An excerpt:

Donned in traditional viking attire, re-enactors from Ontario and site interpreters from Parks Canada spent a sweaty day’s work layering charcoal upon raw iron ore inside a hand-built furnace and pumping the bellows to transform 20 kilograms of iron ore into almost three kilograms of iron.
Using a technique lost almost 800 years ago the group re-created a bog iron smelt — just the second to take place at L’Anse aux Meadows in 1000 years.
“I came a long way to make iron here,” said Ken Cook, otherwise known as Grettr Blackhands, his bushy beard only partially obscuring the huge grin spreading over his face.
“When we were doing it we were all floating on air. It was pretty exciting.”
The all-day activity was arranged in conjunction with the Dark Ages Re-Creation Company (DARC) as part of L’Anse aux Meadows’ 50th anniversary.
Darrell Markewitz, an artisan blacksmith and founding member of DARC, developed the training for the viking re-enactors at L’Anse aux Meadows and Norstead, and was instrumental in organizing this year’s demonstration.
“The problem with viking history is that it’s so far beyond people’s experience,” he explained last week.
“We’re talking about things that happened a thousand years ago — people have nothing to relate that to because it’s just so different. The easiest way to help them understand what objects were used for and what vikings were about is to use living history exhibits and this is a prime example of that.

Pattern welding

For all you Viking sword fans, Darrell Markewitz at Hammered Out Bits explains the mythology and the reality of the pattern-welded blade. Lots more down-to-earth metalworking lore where that came from!

Image: 205 layers of twisted and hammered iron. DM sez: "Expect to see some images of the finished knife in about a week."

Iron-making in Wareham, Ontario, May 30

From Darrell Markewitz's Hammered Out Bits.

More beauty in iron

An SCA-safe helmet "made by Master Ugo and Master Sigmund for Master Bane's knighting."

Beauty in iron

Long ago, when various young nuts and idealists were forming the SCA and a variety of other medieval re-creation organizations, starting with just about no real knowledge of material culture, we often read about the tremendous achievements of ancient artisans. One of which was the pattern-welded sword. Thus I was thrilled and impressed when Darrell Markewitz posted the above picture and a link to the originating website on his blog. The artist in question is Jake Powning.

Fallen from the sky

A while back Darrell Markewitz at Hammered Out Bits said he knew of no swords made out of meteorites. Specifically, he said:

"I should note that the whole 'streaks in the sky to rocks on the ground' connection was actually NOT made until the middle 1800's. The whole concept of a 'sky stone' would have been completely unknown (and unthinkable) to the Medieval mind. This is a fiction created by modern fantasy writers."

Well, as Darrell himself tells us, apparently someone in Mughal India in 1621 did make the connection, and used a meteor to create this knife for the Emperor Jahangir. Quite a specimen. More details and links here.