But as we went on I got more used to it and eventually it won me over. This movie had some of the most believable early medieval armor and costuming, and the landscape may not look very much like Denmark but it evoked a premodern era very strongly. The acting is good and the story is a success on its own terms. This movie actually is less faithful to the poem than the big-budget one, but in some ways that was an advantage. It is not like the big-budget version really caught medieval personalities and ways of thinking; this one may not have either, but to my modern sensibility at least there was a sense of reality about the entire picture. One instance is that Grendel is not a CGI monster of uncertain origins, but a big troll-like human being, who comes from a tribe of troll-like human beings. He's strong and ugly and dangerous but not superhuman. The Beowulf poet might not approve of this treatment, but he is in good company. The people who made the movie don't approve of the poet's presentation either, and they felt free to introduce subplots and different perspectives. I am not sure how strongly to recommend this movie, but if you are interested in reasonable film treatments of the early Middle Ages, you will probably find something worthwhile in this.
Image: A drunk, demoralized King Hrothgar and his stalwart queen.
No comments:
Post a Comment