Eric Jager's The Last Duel (New York, 2004) is written in the spirit of Froissart. And I don't mean it in a good way. I mean that just like Froissart, Jager likes to present a vivid and compelling narrative full of convincing detail, and he doesn't mind making stuff up to do it.
And then Will goes on, correctly, to critique Jager's account of "the big fight scene" as a modern, uninformed fantasy.
Now I thought the book was OK in general, but I think that representatives of the (major) publisher had a lot of input into its shape. Note the long list of such reps at the head of the book. It's a simple enough story that I don't think it needed so much massaging by people with no particular historical expertise.
No comments:
Post a Comment